PRS Singlecut SE

by Will Chen

Editor's Note - A couple of corrections have been brought to our attention by John Gruber. The original review listed the fretboard radius as 9.5 inches but it is actually 10 inches. Also, the original review stated intonation was non-adjustable however the bridge does offer two set screws to adjust the overall angle of the bridge. Thanks John!

Every once in a while you pick up a guitar that just feels right. The way the weight balances on your shoulder...how your palm cups the neck...the body is contoured to snuggle up to you just right...such was the case when I strapped on Paul Reed Smith (PRS) Singlecut SE.

PRS has been making high end custom guitars for just over 20 years and the Korean made SE line has expanded their products to those of us without rock star credit limits.

The mahogany body has a maple cap and flame maple veneer which in combination with the sunburst finish and faux binding (exposed strip of the maple top) add up to a beautiful instrument. I'm being a little picky, but if they put a little more care book matching the veneer, this guitar would be absolutely stunning. Half moon inlays add a touch of flash without coming off gaudy. I actually like their understated beauty much more than the flamboyant bird inlays of PRS American production models.

The Singlecut features a mahogany, 25" scale set neck with a wide/fat profile which is chunky enough to feel substantial, but not so big to tire your hands out needlessly. Coupled with the 10" radius, rosewood fretboard and perfectly dressed medium frets, the neck is absolutely one of the most comfortable I've ever played. The factory setup was a little low on the high strings which was causing some slight buzz. While the intonation can't be individually adjusted for each string, the bridge does offer two set screws to adjust the overall angle of the bridge. Fortunately after raising the bridge, the neck played perfectly with no buzz to be found and intonation was spot on. The feel was liquid up and down the neck and the beveled cut away provides slightly easier access to the highest frets. My single gripe regarding the neck is the over sized rather clunky heel. With a little more care, the joint could have been seemless which would really put this instrument in a whole other class. While the nut is well cut, a little more detail could have been spent rounding the corners off as they were just a touch sharp. Again, I'm being a bit picky. The tuners hold with no hint of slippage.

PRS was able to deliver a snappier response from the Singlecut SE than one would expect from a dual humbucker mahogany guitar. The sound definitely leans to Les Paul side of the tonal spectrum yet with a little more bite. The bridge pickup is extremely well balanced, offering enough low mids to chunk through palm muted power chords, yet enough sparkle to deliver convincing spanky country riffs. I was additionally impressed with the neck pickup's voicing and how perfectly it complements the bridge tones with the perfect amount of high end roll off without sounding dull or muddy. The pickups are wired to an awkwardly placed, three way switch. Additional controls include a master volume and nicely voiced tone knob which are both useable across the pots entire sweep.

While the price of the SE is at the higher end of what I would qualify as frugal, this is a great guitar. Minor quibbles aside; the PRS Singlecut SE is a fabulous player and an absolute beauty.

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LinkDescription
This clip is the Fender Super Champ VoxAC30 setting using a PRS Singlecut SE. The tremolo is from the amp. The amp has been miced right on the speaker cap with a Shure SM57.
This clip is the Fender Super Champ Jazzking setting using a PRS Singlecut SE. The amp has been miced right on the speaker cap with a Shure SM57. If you listen carefully, you can here the tubes rattling occasionally.
This clip features a PRS Singlecut SE into the Danelectro FAB Metal into the clean channel of a Tech 21 Trademark 60 with the bright switch disengaged. The amp was close miced with an Shure SM57 microphone. The bass guitar is the Brice HXB-406 run into the Digitech GNX3000. The guitar track was additionally treated with some reverb and the whole track was treated with compression.
The guitars are triple tracked in this one. Panned right is a Lace Huntington using the 6505 model of the Vypyr 30, left is a Lace Huntington using the JSX model of Vypyr 30, and center is a PRS Singlecut SE using the XXX model of the Vypyr 30. All tracks were recorded using an SM57. No additional processing was added to this track.
This clip features the high gain channel of the AXL Akita AT30 using a PRS Singlecut SE. The clip was recorded using a SM57 off axis and has been treated with a touch of reverb using SIR. The drums and bass were created using Yellow Tools Independence Free.
This clip features the PRS SE Singlecut into the Zoom G2.1u using the 5150 and Extreme Distortion settings.
This clip features the new Peavey Revalver using a PRS SE Singlecut. The lead track is the JSX model and the doubled rhythm guitars are the 6505 and their classic British model with the "Greener" virtual pedal (Tube Screamer).
This clip features the Tech21 TRI-A.C. on all instruments except the drum track. The left channel is the neck pickup of a SX SST57 Stop Tail using the Brit voicing, the right channel is the bridge pickup of a PRS SE single cut using the Calif voicing, and the bass is a Rogue LX405 into the Tweed voicing and also treated with compression. The track has been additionally treated with SIR.
This clip features the Tech21 TRI-A.C. on all instruments except the drum track. The left channel is the neck pickup of a SX SST57 Stop Tail using the Brit voicing, the right channel is the bridge pickup of a PRS SE single cut using the Calif voicing, and the bass is a Rogue LX405 into the Tweed voicing and also treated with compression.
This clip features various presets using the Pocket POD and PRS SE Singlecut.
This clip is the neck pickup of the PRS SE Singlecut into the Pocket POD using a clean preset. Bass is the Rogue LX405 direct.
This clip features the Pocket POD on all instruments except the drum track. Guitars are the bridge pickup of a PRS SE singlecut and the bass is a Rogue LX405. Presets were used for all instruments.


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