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- Clip 1
This clip features an SX SST57 Stop Tail into the Danelectro FAB Overdrive into the clean channel of a Tech 21 Trademark 60 with the bright switch engaged. The amp was miced with an APEX 210 ribbon microphone from a few feet away. The bass guitar is the Brice HXB-406 direct. The guitar track was additionally treated with some reverb and the whole track was treated with compression.
- Clip 2
This clip features an AXL Badwater Jacknife into the Danelectro FAB Distortion into the clean channel of a Tech 21 Trademark 60 with the bright switch engaged. The amp was miced with an APEX 210 ribbon microphone from a few feet away. The bass guitar is the Brice HXB-406 direct. The guitar track was additionally treated with some reverb and the whole track was treated with compression.
- Clip 3
This clip features a PRS Singlecut SE into the Danelectro FAB Metal into the clean channel of a Tech 21 Trademark 60 with the bright switch disengaged. The amp was close miced with an Shure SM57 microphone. The bass guitar is the Brice HXB-406 run into the Digitech GNX3000. The guitar track was additionally treated with some reverb and the whole track was treated with compression.
- Clip 1
The rhythm guitar in this clip is the Classic Clean channel and the lead is the Bkat high gain channel of the Peavey Vypyr. Both tracks were recorded using a Lace Huntington and an Audio Technica AT2020 off axis. The track was additionally treated with some reverb and compression.
- Clip 2
Here is another clip of the Peavey Vypyr. The rhythm track is the Brit model using a Devlin Imposter (neck pickup) and the lead is a Lace Huntington using the Classic high gain channel. Both tracks were recorded with an Audio Technica AT2020 off axis. The track has also been treated with some slight delay, reverb, and compression.
- Clip 3
The guitars are triple tracked in this one. Panned right is a Lace Huntington using the 6505 model, left is a Lace Huntington using the JSX model, and center is a PRS Singlecut SE using the XXX model. All tracks were recorded using an SM57. No additional processing was added to this track.
- Clip 4
This clip features an Agile AL-3000 and Aradaz's Green (left) and Chrunch (right) models, no other effects have been applied. The drums and bass were programmed using Yellow Tools Independence Free.
- Clip 5
This clip features an Agile AL-3000 using FreeAmp3. No other effects have been applied. The drums and bass were programmed using Yellow Tools Independence Free.
- Clip 1
This clip features the high gain channel of the AXL Akita AT30 using a PRS Singlecut SE. The clip was recorded using a SM57 off axis and has been treated with a touch of reverb using SIR. The drums and bass were created using Yellow Tools Independence Free.
- Clip 2
Here is another clip of the Akita AT30 featuring the amp's excellent clean channel treated with a stereo delay and compressor and the high gain channel the gain set very low. This clip also features the First Act SFA Edition Sheena CE240, neck pickup for the clean tones and bridge for the grittier tones. The drums and bass were programmed using Yellow Tools Independence Free. The clean tones were close miced on axis with a single SM57 and the higher gain tones miced off axis from about 2 feet away.
- Clip 3
This clip features an Agile AL-3000 and Studio Devil's British Valve Custom, no other effects have been applied. The drums and bass were programmed using Yellow Tools Independence Free.
- Clip 4
This clip features an Agile AL-3000 and Voxengo's Boogex, no other effects have been applied. The drums and bass were programmed using Yellow Tools Independence Free.
- Clip 5
This clip features an Agile AL-3000 using the SimulAnalog JCM900 model feeding Voxengo's Boogex for speaker cabinet modeling mixed 100% right and MDA combo mixed 100% left. No other effects have been applied. The drums and bass were programmed using Yellow Tools Independence Free.
- Clip 1
This clip features the Xaviere XV-820 using the neck pickup into a Pignose G40V and was recorded using a single SM57 off axis.The clip was treated with a touch of Kjaerhus Audio's free Classic Reverb plugin on the room setting. No other processing was done.
- Clip 2
Here is another clip of the G40v with the gain cranked up. An SX SST57 was used in the number 4 position for the rhythm guitars and bridge position for the leads. The drums, bass, and acoustic guitar tracks were programmed using Yellow Tools Independence Free.
The amp was miced with a single SM57 off axis and the entire mix was treated with SIR.
- Clip 3
This is a sampler of some of the GNX3000 features.
- Clip 4
This is a sampler of some of the RP500 features.
- Clip 5
This clip is the GNX3000 and an Agile AL-3000 using a Van Halen inspired patch from MFX Supermodels CD which uses a custom 5150 Amp Model, chorus, and reverb. Drums and bass tracks were created Yellow Tools Independce Free.
- Clip 6
This clip is the RP500 and an Agile AL-3000 using the "Brown Sound" model with a subtle chorus and reverb. Drums and bass tracks were created Yellow Tools Independce Free.
- Clip 1
This clip features the new Peavey Revalver using an SX SST57 Stop Tail and the Classic 30 model
- Clip 2
This clip features the new Peavey Revalver using a PRS SE Singlecut. The lead track is the JSX model and the doubled rhythm guitars are the 6505 and their classic British model with the "Greener" virtual pedal (Tube Screamer).
- Clip 3
This clip features the PRS SE Singlecut into the Zoom G2.1u using the 5150 and Extreme Distortion settings.
- Clip 4
This clip features the Xaviere 820 into a Digitech GNX3000 on the Deluxe model with a slapback added and SIR was applied to get a room sound
- Clip 1
This clip features the Tech21 TRI-A.C. on all instruments except the drum track. The left channel is the neck pickup of a SX SST57 Stop Tail using the Brit voicing,
the right channel is the bridge pickup of a PRS SE single cut using the Calif voicing, and the bass is a Rogue LX405 into the Tweed voicing and also treated with compression.
- Clip 2
This clip is the same as Clip 1, but has been processed with SIR on an aux send.
- Clip 3
This clip features the Tweed voicing of a Tech21 TRI-A.C. using the number 2 position of a SX SST57 Stop Tail.
- Clip 4
This clip is the same as Clip 3, but has been processed with SIR mixed 100% wet.
- Clip 1
This clip features the Pocket POD on all instruments except the drum track. Guitars are the bridge pickup of a PRS SE singlecut
and the bass is a Rogue LX405. Presets were used for all instruments.
- Clip 2
This clip is the neck pickup of the PRS SE Singlecut into the Pocket POD using a clean preset. Bass is the Rogue LX405 direct.
- Clip 3
This clip features various presets using the Pocket POD and PRS SE Singlecut.
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